About the 20/21 Digital Commons
The Commons Festival and Residency returns for the Carolina Performing Arts 20/21 season in digital form. The Digital Commons is an initiative devoted to supporting artists by fostering local creative community and discourse in and around the Triangle.
Under the Commons, four Triangle-based performing artists have been awarded artist residencies at CPA. The residency will culminate in the Digital Commons: a digitally streamed performance festival presented over four weekends starting January 29, 2021 (free tickets will be available starting January 15). The Digital Commons festival will feature performances from the Commons artists-in-residence and will also feature “Shop Talks,” roundtable events bringing together current, emerging, and aspiring arts professionals to discuss important aspects of the field. Commons partner INDY Week will publish pieces about the artists and their process in a special section in their online paper.
20/21 Commons Artists in Residence
Anthony “AyJaye” Nelson
Pain, Trauma, Triumph
January 29, 2021
February 5, 2021
Eternal the M.C.
How Can We Explain This?
February 12, 2021
Johnny Lee Chapman, III
February 19, 2021
About the Artists
Anthony “Ay-Jaye” Nelson found dance as a young teenager, falling in love with the freedom of expression that movement allowed. Dancing in earnest from fifteen years on, Nelson’s career has led him to seek training in a variety of styles, building his repertoire in Contemporary, Modern, Hip-Hop and Jazz, and refining his focus in a personal style that blends these traditions. Over the past decade, Nelson has performed with renowned choreographers in the Triangle and beyond, gravitating toward emotionally charged work and contemporary pieces with a social conscience and goal of bringing movement to a broad and diverse audience. Nelson’s belief in the power of dance to change lives and the world has led him to the classroom to share the gift of movement with students of all ages and backgrounds. To support and stay updated, find out more at AnthonyNelsonJr.com
Ayanna Albertson is a writer and spoken word poet from Durham, NC by way of Goldsboro, NC. From early childhood, Ayanna has enjoyed the art of storytelling through poetry, singing, and performance. Ayanna received her BA in broadcast journalism from Oakwood University in Huntsville, AL, further investing into her passion for creative writing. She is a part of the Bull City Slam team, and has participated in various national poetry competitions using her gift of words to impact, empower and inspire others. She’s been crowned the Bull City Grand Slam Champion for three consecutive years, and after competing against 93 poets at the 2020 Women of the World Poetry slam, Ayanna was ranked 2nd best woman poet in the world. Ayanna is very passionate about advocacy and desires to be a voice for her community. Ayanna’s motto for her work is “I don’t wish to be famous, I just want to be heard.”
Eternal the M.C./Eshod Howard was born and raised in Clinton Hills, Brooklyn, N.Y. with the knowledge that he had a message to deliver to the world. He began to really work on his craft while studying psychology at Shaw University in North Carolina. His industry influences include both local and national hip hop artist like Rakim, Jay-Z, Biggie, Yasiin Bey [Mos Def], Jeezy, Skyzoo and Kendrick Lamar. When he realized his passion, he became serious about picking a stage name. He noticed people gravitated towards his music and his words. “I thought long and hard of a name to exemplify how far I’ve come and where I plan to go, hence Eternal was born. I proclaimed myself Eternal because I want to live forever through my body of work.” He aspires to make music to cause conversation and touch people’s souls. “I want my music to be able to invoke change for the better. I want my music to connect to the greatness in every person.”
Johnny Lee Chapman, III is an interdisciplinary artist from Fuquay-Varina, North Carolina. Chapman started writing as a “Tumblr poet” in 2010 during his first year at the University of North Carolina at Chapel Hill, as a student in the Dental Hygiene program. In 2014, he leaped from the page to the stage beginning his career as a spoken word artist. By tapping into the power of oration, Chapman tackles current issues within the community while expressing his sensibilities. Since then, he has performed both regionally and nationally and is an active voice within his Triangle community. His professional range has expanded to include facilitation of poetry showcases, workshops, and keynote speaking. Chapman also operates as a visual artist under the name The Golden Moment, utilizing the mediums of film and photography to convey emotion without explanation.
INDY Week Collaboration
As part of this experience, the Commons artists have each been paired with a writer, whose work on the artist’s residency will be published weekly on INDY Week’s “Commons Crit” section through the end of the festival. This year’s embedded writers are Kyesha Jennings and Howard Craft.
More about the commons
The Commons Festival was founded in 2019. A “commons” is defined as “land or resources belonging to or affecting the whole of a community.” In an ideal community, each member contributes resources to a shared pool; these pooled resources, in turn, benefit each individual. The goal of the Commons is to strengthen the performing arts activities of the Triangle, North Carolina area as a site of community, discussion, hospitality, and process. The 2019 Commons artists were Eb. Brown, Daniel Coleman, and Joie Lou Shakur; Justin Tornow; and Megan Yankee. The Commons Crit writers for 2019 were Victoria Bouloubasis, Michaela Dwyer, Stephanie Elizondo Griest, Don Holmes, Danielle Purifoy, and Chris Vitiello.
Writers for The Commons will be selected by CPA Mellon DisTIL Postdoctoral Fellow Lauren DiGiulio, CPA Artistic Coordinator Ellie Pate, and fomer INDY Week Arts & Culture Editor Brian Howe.
Questions? Contact the Commons team.
The Commons residency took place during the fall of 2020, housed in CPA’s CURRENT ArtSpace + Studio. The artists in residence filmed their performances in December 2020, to be streamed during the Digital Commons Festival January 29 – February 20, 2021.
CPA staff and selected artists and collaborators will adhere to COVID safety protocols whenever working in CPA venues.
Benefits and Eligibility
- $1,000 artist stipend
- Critical writing about their work, published on INDY Week‘s website
- Two hours of rehearsal per week for four weeks in the Studio at CURRENT (early November through early December)
- Technical support from CPA’s production and artistic staff to stage and record the performance in a CPA venue, including one technical rehearsal for the streaming event
- One full digital “showing” of their work, either as an in-process or a completed event, streamed on CPA’s online platforms during the festival
- Support from CPA’s marketing and communications team in the publicizing of the streaming events
- Opportunities to network, socialize, and participate in peer learning with other North Carolina arts professionals through the Digital Commons Shop Talk Series
- Be an artist or arts professional who has had at least one year of experience creating and/or presenting professional-level work outside of an academic program
- Reside full-time and make work within the Greater Triangle area (Durham, Orange, Wake, Alamance, and Chatham counties)
- Be at least 18 years old
- Not be currently enrolled full-time in a college or university as an undergraduate student
- Not be a full-time university faculty member
Carolina Performing Arts is adhering strictly to guidelines pertaining to COVID-19 by the University of North Carolina System and the North Carolina State Board of Health. Our policies are informed by industry best practices, and include safety mitigation plans, cleaning protocol, and limits on venue capacity. CPA staff will work with each artist group in the Digital Commons 20/21 to determine a plan for rehearsal and filming according to CPA’s safety protocols. These guidelines may change at any time. Artist groups for this project are limited to ten people.