Explore Omar: Related Events
Discover what’s happening around Chapel Hill in the lead-up to Omar.
As the North Carolina premiere of Omar draws near, we want to keep you up-to-date on all the opportunities to learn more about this sweeping new work. Together with our partners, we’re proud to present a slate of programs that dive deep into the social, political, economic, and historical context of the performance. To learn what’s on the way, click here, or read the descriptions below.
CPA and MDC invite you to:
The State of the South, Omar ibn Said:
A Conversation Between Dr. Youssef Carter and Dr. William Spriggs
- When: Tuesday, Feb. 21, 5–6:30 PM
- Where: CURRENT Studio
Omar ibn Said’s story illuminates the historical and geographical relationships between Black Muslim religious empowerment, forced and chosen migration, and labor. As we think of the future of the South—as well as its present—understanding this history is essential to imagining economic systems rooted in equity.
Join us for a dialogue between Dr. Youssef Carter, an Assistant Professor of Religious Studies and the Kenan Rifai Fellow in Islamic Studies at UNC-Chapel Hill, and Dr. William Spriggs, the former Chair of the Department of Economics at Howard University and Chief Economist to the AFL-CIO. This dialogue will be moderated by MDC Senior Program Director Kerri Forrest. Together, we will explore and bear witness to the historical conditions of slavery faced by Ibn Said, while envisioning how we might realize systems that value humanity.
Registration is free! Click here to register.
CPA and the UNC Department of Music invite you to:
Performing & Imagining the American South “Open Classroom” on Omar
Rhiannon Giddens and Michael Abels in conversation with Dr. Naomi André
- When: Thursday, Feb. 23, 11:15 AM–12:15 PM
- Where: Moeser Auditorium in Hill Hall
The university community is welcome to join the students in Performing and Imagining the American South (IDST 121) for a conversation between Rhiannon Giddens, Michael Abels, and Dr. Naomi André on Omar, music, and the American South.
Dr. Naomi André is the David G. Frey Distinguished Professor of Music at UNC-Chapel Hill.
No registration required.
CPA, UNC Press, and the UNC African Studies Center invite you to:
“What is the ‘Autobiogaphy’ of Omar ibn Said?” with Dr. Carl W. Ernst and Dr. Mbaye Lo
- When: Thursday, Feb. 23, 5:30–7 PM
- Where: FedEx Global Education Center, Nelson Mandela Auditorium
Omar ibn Said (1770-1863), a West African Muslim scholar, was sold into slavery in America, where he spent over half a century enslaved to a prominent North Carolina family. He left behind a small collection of documents in Arabic that remain poorly understood. This presentation is based on Dr. Ernst and Dr. Lo’s book, I Cannot Write My Life: Islam, Arabic, and Slavery in Omar ibn Said’s America, forthcoming from UNC Press in August 2023. Why, at the beginning of his 1831 “Autobiography,” did Ibn Said announce “I cannot write my life”? What is the significance of his quotations from Islamic theological and mystical texts, which have escaped notice until now? Ernst and Lo will address these questions and more. Join us to learn more about their major reassessment of this important witness to the presence of Islam and Arabic at the beginning of America’s history.
Moderated by Mark Simpson-Vos, the Editorial Director for UNC Press.
Mbaye Lo is an Associate Professor of the Practice of Asian and Middle Eastern Studies & International Comparative Studies at Duke University.
Carl W. Ernst is the William R. Kenan, Jr., Distinguished Professor Emeritus of Religious Studies at UNC-Chapel Hill.
Registration is free! Click here to register.
Up Close and Personal with Omar ibn Said Materials
Instruction Sessions in Wilson Special Collections Library
- Register for Session 1: Monday, Feb. 27, 9–10 AM
- Register for Session 2: Wednesday, Mar. 1, 3–4 PM
- Register for Session 3: Thursday, Mar. 2, 12–1 PM
Where: Wilson Library, Room 901
For folks who were able to see the Omar opera or are simply curious about its inspiration, we are offering three opportunities for our Carolina campus community to get up close and personal with documents and other materials related to Omar ibn Said. Guests who sign up online will have a chance to see the original 19th century artifacts featuring or written by Omar himself. In addition, guests will have the opportunity to speak with UNC reference librarians and learn even more ways to engage with Omar’s story and special collections at UNC Libraries.
For information and tickets to the performance, please visit our event page.
Catching up with Rhiannon Giddens
An illuminating afternoon with the Southern Futures Artist-in-Residence
It’s been a busy year for Rhiannon Giddens. Since finishing her propulsive new opera, Omar — set to make its North Carolina debut this spring — the Southern Futures Artist-in-Residence hasn’t stopped moving. The past few months have been especially hectic, with trips to New York, Los Angeles and Dublin, as well as other, more far-flung locations. Between these events, as well as the recent launch of her new children’s book, “Build a House,” moments of rest must have been hard to come by.
Fortunately, last week’s visit to Chapel Hill gave Giddens a chance to regroup and reconnect with her North Carolina roots. Though the schedule was predictably packed, she had the chance to meet with community members and Carolina Performing Arts staff to discuss opportunities for collaboration. Early in the week, she also spent some time diving into the Louis Round Wilson Library’s robust archives in search of new material.
Giddens’ trip culminated on Wednesday, October 19, when she stopped by Epilogue Books to promote her new children’s book. Seated before the audience, a banjo at her side, she read from “Build a House,” an alternately harrowing and uplifting story of a Black family’s resilience in the face of sorrow and dispossession. Paired with painter Monica Mikai’s striking illustrations, Giddens’ words ably captured the attention of both the children and the adults in attendance. And, as a special treat, Giddens performed her song of the same name, composed for the 155th anniversary of Juneteenth in collaboration with world-renowned cellist Yo-Yo Ma.
After the reading and performance, Giddens stuck around to sign books and take questions from the audience. During the Q&A she spoke on a wide range of topics, from “Build a House” to her long journey through the music world, often with refreshing honesty.
“I didn’t pick up any instruments until I was 23,” she told the audience, when asked about her musical development. “I was bad for a while. That was helpful, I think. It’s good to break yourself down to the basics, good to be willing to suck.”
As one might expect, the audience was especially keen to hear about the the making of Omar. Giddens was open and authoritative on the subject. Again and again, she underlined the collaborative nature of the project, and she discussed the work of Michael Abels, her co-composer, in glowing terms. Though she admitted that composing an opera for the first time was a significant challenge, she said Abels eased much of this challenge, helping her to stick to a more structured process. In addition, she spoke of her thrill at the idea that the form might be more familiar than she’d initially expected. Only, in Omar, she said, “the whole orchestra is a banjo.”
Toward the end of the Q&A, Giddens took a moment to discuss Omar ibn Said, the opera’s historical inspiration. She was quick to note that, though the opera contains many elements pulled from ibn Said’s 1831 autobiography, it takes a greater interest in the enslaved West African scholar’s internal, spiritual journey than it does in bare biographical facts. She stressed the need for further exploration of ibn Said’s whole story, given its cross-cultural connections. “This story should be told from multiple vantage points,” she said. “Omar is just me trying to find one way — my way — through the story.”
Here’s hoping more artists of Giddens’ caliber take up the challenge.